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Title:Art in Theory 1900 - 2000: An Anthology of Changing Ideas
Format Type:Ebook
Author:Charles Harrison, Paul Wood
Publisher:eBooks
ISBN:0631227083
ISBN 13:
Number of Pages:
Category:Art, Art history, Non fiction, Reference, Philosophy

Art in Theory 1900 - 2000: An Anthology of Changing Ideas by Charles Harrison, Paul Wood

PDF, EPUB, MOBI, TXT, DOC Art in Theory 1900 - 2000: An Anthology of Changing Ideas This popular anthology of twentieth century art theoretical texts has now been expanded to take account of new research and to include significant contributions to art theory from the s .

Includes writings by critics philosophers politicians and literary figures The editors provide contextual introductions to texts Complements Art in Theory and Art in Theory to create a complete survey of the theories underpinning the development of art in the modern period

Art in Theory 1900 - 2000: An Anthology of Changing Ideas

This popular anthology of twentieth century art theoretical texts has now been expanded to take account of new research and to include significant contributions to art theory from the s br br Includes writings by critics philosophers politicians and literary figures The editors provide contextual introductions to texts Complements Art in Theory and Art in Theory to create a complete survey of the theories underpinning the development of art in the modern period


Art in Theory 1900-1990: An Anthology of Changing Ideas

Current debates about the status of Modernism have led to an increasing interest in critical and aesthetic theories and to a questioning of some of the traditional assumptions and limits of art history The aim of this substantial anthology is to equip the student teacher and interested general reader with the necessary materials for an up to date understanding of twentieth century art br Beside the writings of the century s major artists Art in Theory includes relevant texts by critics philosophers politicians and literary figures It is organised into eight sections from the legacy of Symbolism at the turn of the century to contemporary debates about the Postmodern Each section is prefaced by a brief essay There are introductions for all of the plus texts which serve to place theories and critical approaches in context The result is both a comprehensive collection of documents on twentieth century art and an encylopaedic history of relevant theory


Art in Theory 1815-1900: An Anthology of Changing Ideas

i Art in Theory i provides the most wide ranging and comprehensive collection of documents ever assembled on nineteenth century theories of art


Art in Theory 1648-1815: An Anthology of Changing Ideas

Art in Theory provides a wide ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars Like its highly successful companion volumes Art in Theory and Art in Theory its primary aim is to provide students and teachers with the documentary material for informed and up to date study Its texts clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period Harrison Wood and Gaiger have collected writing by artists critics philosophers literary figures and administrators of the arts some reprinted in their entirety others excerpted from longer works A wealth of material from French German Italian Spanish Dutch and Latin sources is also provided including many new translations Among the major themes treated are early arguments over the relative merits of ancient and modern art debates between the advocates of form and color the beginnings of modern art criticism in reviews of the Salon art and politics during the French Revolution the rise of landscape painting and the artistic theories of Romanticism and Neo classicism Each section is prefaced by an essay that situates the ideas of the period in their historical context while relating theoretical concerns and debates to developments in the practice of art Each individual text is also accompanied by a short introduction An extensive bibliography and full index are provided For more details of our book and journal list in Art visit http a target blank href http www blackwellpublishing com arttheory rel nofollow www blackwellpublishing com arttheory a


An Introduction to Art

This original and inspiring book offers clear and wide ranging introduction to the arts of painting and sculpture to the principal artistic print media and to the visual arts of modernism and post modernism Covering the entire history of art from Paleolithic cave painting to contemporary art it provides foundational guidance to the basic character and techniques of the different art forms to the various genres of painting in the western tradition and to the techniques of sculpture as they have been practiced over several millenia and across a wide range of cultures Throughout the book Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry and of the importance of combining the two approaches Written in a style that is at once graceful engaging and personal as well as analytical and exact this illuminating book offers an impassioned and timely defense of the importance and value of the first hand encounter with works of art whether in museums or in their original locations br br i i br br Designed to be useful and attractive to students and teachers of art art history and aesthetics the book will appeal also to the interested general reader and to those visitors to museums and exhibitions who welcome guidance to the objects on display and to the means of gaining the maximum pleasure and instruction from them The color illustrations each with generous informative captions include both well known works and a host of less familiar examples from different cultures and periods br br


Modernism

Modernism is a broad term used generally to convey a faith in progress and a healthy scepticism for received ideas and traditional values Indeed those concerned with maintaining traditonal values in one form or another see Modernist art as merely one alternative among many and perhaps even an empty or misguided one This introduction therefore looks at Modernist art of the twentieth century in order to show exactly what are the defining characteristics of modernism and also looks at the critical reaction both positive and negative to such work


A Humorous History of England

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Painting the Difference: Sex and Spectator in Modern Art

The picture plane of a painting creates boundaries and perspectives It governs the relationship of daubs of pigment on a canvas to reality allowing the viewer to connect with the imagined world of a work of art Charles Harrison s latest endeavor i Painting the Difference i explores the role of the picture plane in modern painting and the relationships it creates among the artist the subject and the spectator One of the most respected teachers and theorists of modern art Harrison here offers a bold interpretation of the Modernist canon that uncovers the significance of gender to the functioning of the picture plane br br Arguing that the representation of women in art was crucial to the character of modernity Harrison traces the history of female subjects as they began to gaze out of the picture to confront and engage their viewers Combining sweeping conceptual history with telling investigations into the details of particular paintings i Painting the Difference i deciphers the implications of sexual difference for the development of nineteenth and twentieth century art Harrison shows how artists reflecting the underlying anxieties of the time about gender used female subjects gazes both to create a sexualized relationship between these subjects and their viewers and to simultaneously question that relationship In considering works by artists such as Renoir Manet Degas C zanne Picasso and Matisse as well as Rothko Warhol Cindy Sherman and many more Harrison incorporates elements of cultural criticism and social history into his arguments and generous color illustrations permit the reader to test Harrison s claims against the works on which they are based Rich with detail and compelling analysis i Painting the Difference i offers cutting edge interpretation grounded in the reality of magnificent works of art br


Conceptual Art and Painting: Further Essays on Art & Language

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Essays on Art and Language

These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises They are written from the point of view of Art amp Language the artistic movement based in England and briefly in the United States with which Harrison has been associated for thirty years Harrison uses the work of Art amp Language as a central case study to discuss developments in art from the s through the s According to Harrison the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves In seeing how a work is done we learn about its achieved identity we see for example that a drip on a Pollock is integral to its technical character whereas a drip on a Mondrian would not be Throughout the book Harrison uses specific examples to address a range of questions about the history theory and making of modern art questions about the conditions of its making and the nature of its public about the problems and priorities of criticism and about the relations between interpretation and judgment


Conceptual Art and Painting: Further Essays on Art & Language, Art in Theory 1815-1900: An Anthology of Changing Ideas, Modernism, Painting the Difference: Sex and Spectator in Modern Art, A Humorous History of England, Essays on Art and Language, Art in Theory 1900 - 2000: An Anthology of Changing Ideas, Art in Theory 1900-1990: An Anthology of Changing Ideas, Art in Theory 1648-1815: An Anthology of Changing Ideas, An Introduction to Art